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Orson Welles' baroque border-town murder mystery is a wild
masterpiece, a sleazy, grimy, jittery and ultimately dazzling work of cinematic
magic. Charlton Heston is a stiff, straight-arrow Mexican government agent whose
planned honeymoon with his American bride Susie (Janet Leigh) is derailed by a
sensationalistic murder and a bloated, blustery American police detective
(Welles) who has a habit of creating evidence to speed the process of justice.
The film was taken from Welles by the studio and recut before it was released in
a 96-minute version. A longer cut (the "preview version") was discovered in the
'70s, and in 1998 producer Rick Schmidlin and editor Walter Murch, following the
suggestions made by Welles in a now famous memo, came up with a new cut. Though
referred to as the "restored version," it's in fact an entirely new version
based on Welles' intentions, though surely the closest we'll ever come to a
director's cut. It tightens and enriches an already rich film with more
expressive sound and a driving pace with a greater sense of urgency and
tension. All three cuts are included in this two-disc set, along with
four commentary tracks spread over the three versions. Schmidlin hosts a track
with stars Heston and Leigh (obviously recorded years before but never heard
until now), with Schmidlin commenting on the changes in the "restored version"
and drawing production stories and experiences from the stars. Welles
historian/consultant Jonathan Rosenbaum and fellow Welles historian James
Naremore discuss the "preview version" with a mix of production details and
interpretations. Critic F.X. Feeney and Schmidlin also offer solo tracks. Also
includes two featurettes (one on the making of the film, one on the history of
the various versions and the process of reconstructing the new cut) and a
reproduction of the original 58-page memo that inspired the entire project. All
three versions have been beautifully mastered for DVD.
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| Psycho / Hitchcock Special Editions |
The granddaddy of all modern slasher films and psycho-thrillers,
Alfred Hitchcock's "Psycho" will never have the same impact as it did when it
took America completely by surprise in 1960. But the gloriously seedy thriller
remains a masterpiece of mood and pacing, directed with the impeccable craft of
a master who used the perverse material and sordid atmosphere of the
black-and-white B-movie aesthetic to shock the sensibilities and shake up the
expectations of an audience used to the sexy thrillers and Technicolor
confections. Anthony Perkins' fidgety, increasingly disturbing performance
became so identified with his image that it practically destroyed his career as
a romantic man. The new release is one of three two-disc Hitchcock special
editions this week. "Psycho" features new commentary by Hitchcock scholar
Stephen Rebello and the new documentary featurette "In the Master's Shadow:
Hitchcock's Legacy." Also new this week is " Rear Window" (1954), a brilliant film about voyeurism, shot in
a beautifully designed courtyard set through a window the same shape as a movie
screen, and a masterpiece of suspense experienced from the wheelchair of Hitch's
most physically helpless hero. Also included is " Vertigo" (1958), one of the greatest films ever made. Both star
Jimmy Stewart and feature new commentary tracks and
new featurettes. Each disc also features an excellent documentary by DVD doc
specialist Laurent Bouzereau (created for previous DVD release), audio excerpts
from François Truffaut's 1962 interview with Hitchcock, galleries of archival
material, and a full episode of " Alfred Hitchcock
Presents."
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| Le Doulos / Le Deuxième Souffle |
Jean-Pierre Melville's cool, often cruel 1962 classic "Le
Doulos" stars Jean-Paul Belmondo as a smiling underworld informer, charming and
disarming one minute, cunning and sadistically violent the next. Melville's
skewed morality tale is a ruthless riff on the criminal code and the chaos that
erupts whenever it's betrayed. Not all of the niggling little details add up,
but they create a savagely murky moral center in this black-and-white fantasy of
cops and crooks and elegant living on the edge of destruction, where male
friendship trumps romance and loyalty tops all. Criterion also releases
Melville's much rarer " Le Deuxième Souffle," a meticulously plotted and crisply
executed crime thriller that opens with a prison break and ends on a mission of
revenge. Lino Ventura stars. Both discs feature commentary, new and archival
interviews, the original trailer, and a booklet with an original essay.
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| Sleeping Beauty: 50th Anniversary Platinum Edition |
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Walt Disney Studios' first true wide-screen animated feature
also marked the end of an era: the last of its classic fairy tales (until "The
Little Mermaid") and the first to exhibit cost cutting in the animation
department. The graceful movements and delicately painted characters of earlier
films are replaced with angular designs, solid colors and bold action, less
nuanced but equally as vivid. The newly remastered "50th Anniversary Platinum
Edition" features a never-before-seen alternate opening sequence (in sketch
form), the new featurette "Picture Perfect: The Making of Sleeping Beauty," and
three songs written for but not used in the film, as well as the featurettes,
interactive supplements and archival goodies from the previous DVD release. The
new two-disc edition is also available in a Blu-ray edition that includes a
bonus standard-definition DVD.
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| The Picture of Dorian Gray |
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Hurd Hatfield plays the eternally young Dorian Gray in Albert
Lewin's handsome 1945 adaptation of Oscar Wilde's novel of a man who remains
eternally young and increasingly damned while his portrait reflects his true age
and corrupt soul. George Sanders plays Wilde's stand-in, offering dryly witty
commentary with a cultured purr, and Donna Reed and Angela Lansbury co-star as
two of Gray's victims. Features commentary by co-star Lansbury and film
historian Steve Haberman, plus a pair of Oscar-winning shorts from 1945: the
short subject "Stairway to Light" and the Tom and Jerry cartoon "Quiet
Please!"
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In addition to his regular contributions to MSN Movies, Sean Axmaker is a
film critic for the Seattle Post-Intelligencer and a DVD columnist for MSN
Entertainment. He is also a contributing writer for GreenCine.com, Turner
Classic Movies Online and Asian Cult Cinema, among other publications.
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